A series of events that showcases new and international experimental sounds in an immersive and intimate atmosphere.

New Departures explores sound art, drone music, electronic improvisation and underground film and visuals.

New Departures: Thursday 4th December

Doors: 8pm
Price: £5
Venue: Cafe Oto, Dalston, London, E8 3DL [Map]

Featuring:

Jason Kahn

Jason Kahn is an American sound and visual artist based in Zurich. His output includes sound installation, performance and composition. Working with amplified percussion and analogue synthesiser, Kahn creates  deep drones, sheets of static and harsh shards of sound.

He was born in New York in 1960, grew up in Los Angeles and relocated to Europe in 1990. He currently lives in Zürich. He has given concerts and exhibited sound installations throughout Europe, North and South America, Japan, Mexico, Korea, Israel, Turkey, Russia, Lebanon, Egypt, Hong Kong, New Zealand and Australia. Kahn performs both solo and in collaborations, using percussion, analog synthesizer or computer in different combinations. He composes for electronics, acoustic instruments and environmental recordings. For larger groups of directed improvsation he has devised a system of graphical scores. Kahn creates his sound installations for specific spaces. The focus of these primarily non-visual works lies in the perception of a space through sound. In 1997 Kahn founded the independent CD label “Cut,” producing to date twenty-five CD’s, both of Kahn’s own work and other artists.

jasonkahn.net

Lee Hangjun / Hong Chulki

‘Metaphysics of Sound’ (Expanded Celluloid, Extended Phonograph)]

UK premiere of ‘Metaphysics of Sound’,  taken from the DVD release ‘Expanded Celluloid, Extended Phonograph’ on the Korean label ‘Balloon & Needle’.

“Seized in moments of visual detachment during periods of emotional contact, these images are oxidized residues of fixed light and chemical elements of transformed from living organisms” - Carl E. Brown
“I have been waiting for more than 20 years for those who create music and video just like Lee Hangjun and Hong Chulki.” - Otomo Yoshihide

Lee Hangjun
He is an experimental film artist from Seoul, Korea. He collects film footage and does chemical work to oxidize emulsion on film surface. He also does contact printing work by copying film into blank film to make distorted images. His performance are shown by multiple projection with at least two analog projectors in various places such as galleries and theaters.

Hong Chulki
Since 1996, Hong Chulki from Seoul, Korea has been the founder and the member of the first Korean noise music group Astronoise (with Choi Joonyong). As a noise improviser, he has been playing mainly with feedback, amplifying the audio signal that passes through the audio devices, such as turntable, MD player, and laptop computer, and etc.

www.balloonnneedle.com

Nos Phillipé

Combining claustrophobic dense drones and detailed layered textures, Nos Phillipé create a highly immersive and visceral sonic landscape.

“They create highly ambiguous and cavenous imaginary space in your mind using only electronics, turntable and prepared guitar” - The Sound Projector

www.myspace.com/nosphillipe

New Departures: Thursday 7th August

Doors: 8pm
Price: £5
Venue: Cafe Oto, Dalston, London, E8 3DL [Map]

Featuring:

Robert Curgenven

Robert Curgenven

Working with harmonics, textures and resonance as articulated not only through instruments/objects, in space and place, but also in time and the dislocation of the remote, Curgenven’s sound explores slowly shifting layers in the fabric of fields of perception. Creating vast landscapes from carefully detailed recordings through to immersive resonances via deft manipulations of sound pressure - his “old school” background is evident in his working by hand without computer. Playing in a variety of contexts from pure field recordings to instrumental harmonics and feedback - described by one audience member as “like a punch in the face while elsewhere flowers bloomed.”

‘absolutely beautiful distillations of sound mixing the familiar textures of field recordings, including falling snow and the period after a thunderstorm, with hyper-sensitive recordings of a grand piano that suggest the open spaces only alluded to by most synthesizers’.

http://www.recordedfields.net

For Barry Ray

For Barry Ray

For Barry Ray is the husband and wife duo of Carina Thorén (Sweden) and John Chantler (Australia). After a number of compilation appearances, long gone CDrs and lathe cut records under various guises, the pair bunked down over the winter of 06/07 to lay the foundations for their debut album ‘New Days’

“Regardless of what type of music you enjoy, New Days is an example of just how sonic exploration and song craft can be controlled and interwoven while allowed to exist in a relaxed, natural state. The quality of Carina and John’s work far outweighs anything this writer can possibly say to describe just how inherently enjoyable and utterly listenable this album actually is.. Instrumental, experimental music rarely gets better than this - 9/10″

http://www.atbob.co.uk/

Supported by: Sonic Arts Network